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SteadyClock FS, Reference-Class Digital Clocking
- With SteadyClock FS, the focus is on reducing the self jitter of the original SteadyClock to new lows by improving its second analog PLL circuit and referencing both Direct Digital Synthesis and PLL to a low-phase-noise quartz crystal reaching jitter specs in the FemtoSecond range (hence SteadyClock FS).
- Being completely independent from the quality of the incoming clock signal, SteadyClock FS consistently provides the highest audio quality.
Flexible Routing and Mixing with TotalMix FX
- TotalMix FX, a real-time mixer driven by two powerful DSP processors, allows for practically unlimited mixing and routing operations.
- The software offers 3-band parametric EQ, echo, reverb, compressor, expander, and auto-level for any output, and can completely replace an external mixer by creating multiple latency-free monitor, or headphone mixes. With TotalMix FX for iPad app (available separately), TotalMix FX can be controlled from an iPad.
Room EQ and Binaural Crossed for Immersive Audio
- The integration of Room EQ to TotalMix FX adds room calibration to the RME eco-system, making your Fireface perfect for Immersive audio setups including Dolby ATMOS. Room EQ consists of nine bands of fully parametric EQ, individual output delay, and volume calibration. Users can freely assign up to twenty 20 Room EQs at once to any output(s) they wish including stereo, headphone, and digital outputs for maximum flexibility. Settings can be input manually or imported using tools like Sonarworks or Room EQ Wizard.
- Also added is a feature called Binaural Crossed. This functionality provides speaker emulation in headphones perfect for mixing stereo or ATMOS in headphones. The Crossfeed function emulates speaker behavior in terms of channel separation so extremely wide ambience experienced in headphones can be set in 5 stages.
DC-Coupled Outputs: CV/Gate Voltage Control
- All of the Fireface UFX II's line-level outputs are fully DC-coupled, enabling you to send control voltages (CV) or Gate information to modular synthesizers (such as the popular Eurorack and Moog/MOTM/Synthesizers formats) and other studio hardware.
DigiCheck Software: The Secret Weapon of High-Resolution Audio Measurements
- DigiCheck, for metering, testing, measuring and analyzing digital audio streams. 2-, 8-, or all-channel level meters with countless options.
- Spectral Analyzer, Goniometer, and Bit Statistics in professional quality. Even Channel Status readouts are possible.
- Under Windows, DigiCheck also offers a global record function and the direct readout of playback data.
ARC USB Remote Control: Plug-and-Play Plus
- The ARC USB (available separately) is a USB 1.1 MIDI remote control for the Fireface UFX II.
- Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and macOS. It features 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a footswitch.
- TotaIMix FX will automatically detect the ARC USB and communicate with it via simple MIDI remote commands to control the UFX II.
DURec (Direct USB Recording)
- DURec is an integrated digital recorder for all inputs and outputs directly to USB memory devices via the front USB port. The Fireface UFX III records on USB thumb drives or hard drives with up to 2TB capacity. The recording functionality is provided by the internal DSP, independent from a connected computer.
- The Direct USB Recording converts the Fireface UFX Series both into a standalone field recorder and a powerful multichannel live player for previous recordings.
RME FIREFACE UFX II FS Specs
Key Specs
Channels of I/O | 30 Input / 30 Output |
Maximum Sampling Rate | 192 kHz / 24-Bit |
Number of Microphone Inputs | 4 |
Analog Audio I/O | 8x 1/4" TRS Balanced Line Input 4x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input 6x 1/4" TRS Balanced Line Output 2x XLR 3-Pin Balanced Line Output 2x 1/4" TRS Unbalanced Headphone Output |
Digital Audio I/O | 1x XLR 3-Pin AES3 / S/PDIF Input 1x TOSLINK Optical ADAT Input (S/MUX Support) 1x TOSLINK Optical ADAT / S/PDIF Input (S/MUX Support) 1x XLR 3-Pin AES3 / S/PDIF Output 1x TOSLINK Optical ADAT Output (S/MUX Support) 1x TOSLINK Optical ADAT / S/PDIF Output (S/MUX Support) |
Host Connection | 1x USB-B |
OS Compatibility | macOS 10.6 or Later Windows 7 or Later |
Power Requirements | AC Input |
Channels of I/O | 30 Input / 30 Output |
Built-In DSP | Yes |
Maximum Sampling Rate | 192 kHz / 24-Bit |
Number of Microphone Inputs | 4 |
Built-In Microphone | No |
Signal Processing
Pad | No |
Gain/Trim Range | Line Inputs: 0 dB to +12 dB Mic Inputs: 75 dB Hi-Z Inputs: 42 dB |
High-Pass Filter | No |
Solo/Mute | No |
Connectivity
Analog Audio I/O | 8x 1/4" TRS Balanced Line Input 4x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input 6x 1/4" TRS Balanced Line Output 2x XLR 3-Pin Balanced Line Output 2x 1/4" TRS Unbalanced Headphone Output |
Phantom Power | 48 V |
Digital Audio I/O | 1x XLR 3-Pin AES3 / S/PDIF Input 1x TOSLINK Optical ADAT Input (S/MUX Support) 1x TOSLINK Optical ADAT / S/PDIF Input (S/MUX Support) 1x XLR 3-Pin AES3 / S/PDIF Output 1x TOSLINK Optical ADAT Output (S/MUX Support) 1x TOSLINK Optical ADAT / S/PDIF Output (S/MUX Support) |
Host Connection | 1x USB-B |
Host Connection Protocol | USB 2.0, USB 3.0 / 3.1/3.2 Gen 1 |
USB (Non-Host) | 1x USB-A (Remote) |
Sync I/O | 1x BNC Word Clock Input 1x BNC Word Clock Output |
Network I/O | No |
MIDI I/O | 1x DIN 5-Pin Input 1x DIN 5-Pin Output |
Expansion Slots | No |
Wireless | No |
Performance
Frequency Response | Line Inputs: 5 Hz to 20.8 kHz +0/-0.1 dB (at 44.1 kHz) 3 Hz to 45.8 kHz +0/-0.5 dB (at 96 kHz) 2 Hz to 92 kHz +0/-1 dB (at 192 kHz) Line Outputs: 5 Hz to 20.8 kHz +0/-0.5 dB (at 44.1 kHz) 5 Hz to 45 kHz +0/-0.5 dB (at 96 kHz) 5 Hz to 89 kHz +0/-1 dB (at 192 kHz) |
Maximum Input Level | Line Inputs: +19 dBu Mic Inputs: +18 dBu (Unity Gain) -57 dBu (Max Gain) Hi-Z Inputs: +21 dBu (Min Gain) -21 dBu (Max Gain) |
Maximum Output Level | Line Outputs: +19 dBu at 0 dBFS Monitor Outputs: +24 dBu at 0 dBFS |
Headphone Output Power | 210 mW per Channel into 32 Ohms (Max, 0.1% THD) |
Impedance | BNC Word Clock : 10 Ohms Line Inputs: 10 Kilohms (Unbalanced) 10.6 Kilohms (Balanced) Mic Inputs: 3.4 Kilohms Hi-Z Inputs: 1 Megohm Line Outputs: 75 Ohms (Unbalanced) 150 Ohms (Balanced) Headphone Outputs: 2 Ohms |
Dynamic Range | Line Outputs: 19 dBu (Lo Gain) 13 dBu (+4 dBu) |
SNR | Line Inputs: 118 dBA (LoGain) 117 dBA (+4 dBu) Mic Inputs: 119.5 dBA (0 dB Gain) Hi-Z Inputs: 118.5 dBA |
THD | Line Inputs: < -110 dB / < 0.00032% Line Outputs: < -110 dB / < 0.00032% |
THD+N | Line Inputs: < -104 dB / < 0.00063% Line Outputs: < -104 dB / < 0.00063% |
EIN | Mic: -129.8 dBu A-Weighted (60 dB Gain) |
Digital Audio
Sample Rates | 192 kHz |
Sample Rate Conversion | No |
Bit Depths | 24-Bit |
Sync Sources | ADAT, AES3, Internal, MADI, Word Clock |
Clocking | Input Termination: 75 Ohms (Switchable) Input Voltage: 1 to 5.6 V p-p Output Voltage: 4 to 5 V p-p Lock Range: 27 to 200 kHz Jitter: 800 ps Jitter Suppression: > 30 dB (2.4 kHz) |
Audio Storage & Playback
Media/Memory Card Slot | No |
Compatibility
OS Compatibility | macOS 10.6 or Later Windows 7 or Later |
Processor Requirement | Intel Core i5 (Minimum) |
Mobile App Compatible | Yes: iPadOS Only App Name: TotalMix FX Functionality: Adjust Settings, Remote Control |
Mobile Device Compatibility | No |
Power
Power Requirements | AC Input |
AC Input Power | 100 to 240 VAC, 50 / 60 Hz |
Power Consumption | 19 W (Idle) 25 W (Typical) |
Physical
Rackmount Size | 1 RU |
Operating Humidity | 0 to 75% |
Operating Temperature | 41 to 122°F / 5 to 50°C |
Dimensions | 19 x 1.7 x 8.3" / 48.3 x 4.4 x 21 cm (with Rack Ears) 17.3 x 1.7 x 8.3" / 44 x 4.4 x 21 cm (without Rack Ears) |
Weight | 6.2 lb / 2.8 kg |
Packaging Info
Package Weight | 11.115 lb |
Box Dimensions (LxWxH) | 22.2 x 12.9 x 4.6" |
In the Box
- RME Fireface UFX II 60-Channel USB-B Audio/MIDI Interface with SteadyClock FS
- USB Cable (6')
- Power Cord
- 2-Year Manufacturer Warranty
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