Portable and equipped for standalone or USB-anchored operation, the Digiface AES from RME is a versatile 14x16 digital audio interface with 30x16 routing capabilities and convenient class-compliant functionality. The Digiface AES sports pristine quality 24-bit / 192 kHz digital audio with an advanced SRC circuit (sample-rate converter) that can fix clocking issues or adapt the sample rate on any digital input, and control of these functions is easy through a bright LCD screen, intuitive interface, and a plethora of free digital tools that further augments the Digiface s functionality.
Digiface AES features wide ranging analog and digital I/O to handle any scenario including 8-channel optical ADAT or 6-channel optical SPDIF, 6-channel coaxial SPDIF, AES/EBU over XLR 3-pin, MIDI I/O, two channels of analog combo XLR/1/4 input with selectable 48V phantom power, and four channels of analog output through XLR line outs and stereo 1/4 headphone output, all fed to a host program over simple USB 2.0 connectivity. With an exceptional set of digital functions, such as built-in parametric EQ, standalone operation, and flexible playback or monitoring via TotalMix FX, the DigiFace AES excels as an ideal all-in-one solution for recording, routing, and playing back analog or digital sources in studio or stage applications.
24-Bit / 192 kHz Digital USB Interface with AES / SPDIF / ADAT / Analog I/O
Portable and equipped for standalone or USB-anchored operation, the Digiface AES from RME is a versatile 14x16 digital audio interface with 30x16 routing capabilities and convenient class-compliant functionality. The Digiface AES sports pristine quality 24-bit / 192 kHz digital audio with an advanced SRC circuit (sample-rate converter) that can fix clocking issues or adapt the sample rate on any digital input, and control of these functions is easy through a bright LCD screen, intuitive interface, and a plethora of free digital tools that further augments the Digiface s functionality.
Digiface AES features wide ranging analog and digital I/O to handle any scenario including 8-channel optical ADAT or 6-channel optical SPDIF, 6-channel coaxial SPDIF, AES/EBU over XLR 3-pin, MIDI I/O, two channels of analog combo XLR/1/4 input with selectable 48V phantom power, and four channels of analog output through XLR line outs and stereo 1/4 headphone output, all fed to a host program over simple USB 2.0 connectivity. With an exceptional set of digital functions, such as built-in parametric EQ, standalone operation, and flexible playback or monitoring via TotalMix FX, the DigiFace AES excels as an ideal all-in-one solution for recording, routing, and playing back analog or digital sources in studio or stage applications.
Buspower Compatibility Meets Flexible Analog I/O Performance
Versatile Digital Input and Output Connectivity
Full Stand-Alone Functionality
Powerful Applications for Mixing, Monitoring, and Measurement
RME Software Features
SteadyClock FS: Reference-Class Digital Clocking
TotalMix FX: Mixing/Routing with Superior Features for Studio and Live Work
DigiCheck: The Secret Weapon of High Resolution Audio Measurements
RME USB: Transport Audio with Low Latency and High Stability
Use your RME audio interface on Mac and PC with reliable, stable, and regularly updated drivers for our products. RME Audio develops its own interface core, so it s not dependent on 3rd parties for upgrades, modifications, or bug fixes, allowing customers to use the latest operating systems without interruption or delay.
RME DIGIFACE AES Specs
Form Factor | Desktop |
Display | 1 x Color LCD |
Channels of I/O | Analog: 2 Input / 4 Output Digital: 12 Inputs / 12 Output |
Built-In DSP | None |
Maximum Sampling Rate | 192 kHz / 24-Bit |
Number of Microphone Preamps | 2 Preamps |
Built-In Microphone | None |
Input Level Adjustment | 1 x Knob |
Expansion Slots | None |
Signal Processing
Pad | None |
Gain/Trim Range | Up to 75 dB (in 1 dB Steps) |
High-Pass Filter | None |
Solo/Mute | None |
Connectivity
Analog Audio I/O | 2 x Combo XLR-1/4" 3-Pin Balanced Mic/Line Input 2 x XLR 3-Pin Balanced Line Output 1 x 1/4" TRS Unbalanced Headphone Output |
Phantom Power | 48 V |
Digital Audio I/O | 1 x XLR 3-Pin AES3 Input 1 x XLR 3-Pin AES3 Output 1 x TOSLINK Optical ADAT Input 1 x TOSLINK Optical ADAT Output 1 x RCA Coaxial S/PDIF Input 1 x RCA Coaxial S/PDIF Output |
Host Connection / USB | 1 x USB-B |
Host Connection Protocol | USB 2.0 |
USB (Non-Host) | None |
Sync I/O | 1 x XLR 3-Pin AES Input 1 x XLR 3-Pin AES Output |
Network I/O | None |
MIDI I/O | 1 x DIN 5-Pin Input (on Breakout Cable) |
Wireless Connectivity | None |
Performance
Frequency Response | XLR Mic, Line Inputs: 16 Hz to 20 kHz (at 44.1 kHz) 7 Hz to 45 kHz (at 96 kHz) 5 Hz to 88 kHz (at 192 kHz) XLR Line Outputs: 0 Hz to 20.7 kHz (at 44.1 kHz) 0 Hz to 45 kHz (at 96 kHz) 0 Hz to 90 kHz (at 192 kHz) |
Maximum Input Level | Combo XLR-1/4" Mic/Line Inputs: +8 dBu (Gain: 0 dB) 1/4" Line Inputs: 24 dBu (Gain: 0 dB) |
Maximum Output Level | XLR Line Outputs: 19 dBu 1/4" Headphone Outputs: 13 dBu at 0 dBFS |
Headphone Output Power | 1/4": 160 mW per Channel into 32 Ohms (0.1% THD) |
Impedance | Combo XLR-1/4" Mic/Line Inputs: 2 Kilohms (Balanced) 1 Kilohm (Unbalanced) 1/4" Line Inputs: 12 Kilohm (Balanced) XLR Line Outputs: 300 Ohms (Balanced) 1/4" Headphone Outputs: 5 Ohms |
Dynamic Range | XLR Analog Outputs: 123 dBA (+19 dBu) XLR Analog Outputs: 116.5 dBA (+13 dBu) XLR Analog Outputs: 116.5 dBA (+4 dBu) 1/4" Analog/Headphone Inputs: 122 dBA (0 dBFS) |
SNR | XLR Mic/Line Inputs: 113 dB RMS (Unweighted) XLR Line Outputs: 19 dBu (120 dB (AES17), 123 dBA) 13 dBu (114 dB (AES17), 116.5 dBA) 4 dBu (114 dB (AES17), 116.5 dBA) 1/4" Headphone Outputs: 120 dB ((AES17), 122 dBA) 114 dB ((AES17), 116.5 dBA) Digital AD/DA Converters: 139 dB (Sample-Rate Converter, 142 dBA) |
THD | XLR Line/Mic Inputs: < -110 dB / < 0.0003% XLR Line Outputs: < 110 dB / < 0.0003% |
THD+N | XLR Mic/Line Inputs: < -106 dB / < 0.0005% XLR Line Outputs: -110 dB / < 0.0003% 1/4" Headphone Outputs: -108 dB / 0.0004% |
Channel Separation | XLR Digital Outputs: > 110 dB |
Crosstalk | Combo XLR-1/4" Analog/Mic/Line Inputs: > 110 dB XLR Line Outputs: > 110 dB |
EIN | Combo XLR-1/4" Mic/Line Inputs: -129 dBu A-Weighted (60 dB Gain, 150 Ohm, 20 Hz to 20 kHz) |
Digital Audio
Sample Rates | Up to 200 kHz |
Sample Rate Conversion | On ADAT I/O (28 to 200 kHz) |
Bit Depths | Up to 24-Bit |
Latency | 2.27 ms at 44.1 kHz 1.14 ms at 96 kHz 0.57 ms at 192 kHz |
Sync Sources | ADAT, AES3, Internal, S/PDIF |
Clocking | AES: Lock Range: 27 to 200 kHz (2.4 kHz to )Jitter Suppression: > 50 dB (2.4 kHz) S/PDIF: Lock Range: 27 to 200 kHz Jitter Suppression: > 50 dB (2.4 kHz) Lock Range: 31.5 to 50 kHz Jitter Suppression: > 50 dB (2.4 kHz) |
Audio Storage & Playback
Memory Card Slot | None |
Compatibility
OS Compatibility | macOS 11 or Later Windows 7 or Later *As of January, 2023: Check with manufacturer for the most up-to-date compatibility |
Included Software | None |
Included Plug-Ins | Special Processing: Ozone 10 Elements Scuffham Amps SGEAR Brainworx BX Masterdesk Dynamics: Brainworx Opto Compressor Tuning: Auto-Tune Unlimited Virtual Instruments: True Sound Studio RME Drum Sample Pack |
Mobile App Compatible | Yes: iOS Only App Name: TotalMix Remote Functionality: Remote Control *As of January, 2023: Check with manufacturer for the most up-to-date compatibility |
Mobile Device Compatibility | None |
Required Hardware | USB 2.0 Port |
Internet Connection | Required for Registration, Software/Driver Download |
Power
Power Requirements | USB Bus Power |
Power Consumption | 3 W |
Physical
Operating Humidity | 75% (Non-Condensing) |
Operating Temperature | 41 to 122°F / 5 to 50°C |
Dimensions | 8.5 x 5.1 x 1.7" / 21.5 x 13 x 4.4 cm |
Weight | 31.0 oz / 880.0 g |
Packaging Info
Package Weight | 4.325 lb |
Box Dimensions (LxWxH) | 15 x 8.4 x 3.3" |
In the Box
- RME Digiface AES 14x16 Audio Interface
- TotalMix Remote, TotalMix FX, and DigiCheck Software
- USB-B to USB-A Cable (6`)
- MIDI Breakout Cable
- Power Adapter
- Power Cord
- 2-Year Manufacturer Warranty
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