This Kit combines the chrome edition Allen & Heath Qu-24C 38-In/28-Out Digital Mixer with a hard shell cover and soft dust cover to create a professional mixing solution with protection from dust, liquid, dirt, and grime. The Qu-32C features 32 of Allen & Heath s AnalogiQ microphone preamps and is powered by its 5-core ARM processor to provide a variety of integrated effects and processing including channel-independent 4-band parametric EQs, compressors, delay, reverb, and more.
The hard shell cover is made from polycarbonate and is custom-tailored to fit the mixer it offers protection from the elements, while the soft, water-repellent 4-oz polyester dust cover offers an additional layer of protection and is adorned with the Allen & Heath logo.
Allen & Heath Qu-32C 38x28 Digital Mixing Console (Chrome Edition)
Designed to accommodate a wide variety of live sound-reinforcement and recording scenarios, the chrome edition Allen & Heath Qu-32C is a 38-input / 28-out digital mixing console that doubles as a 32x32 USB recording interface. Featuring 32 of the company s recallable AnalogiQ microphone preamps, and powered by a 5-core ARM processor, the Qu-32 provides a variety of integrated effects and processing including channel-independent 4-band parametric EQs, compressors, delay and reverb. The chrome edition adds high-contrast chrome rotary and fader knobs that improve visibility in dark conditions, as well as a number of software enhancements from the updated firmware (V1.8).
The mixer is compatible with both the ME Personal Mixing System and dSNAKE digital-connectivity system from Allen & Heath. The Qu-32 can also be used with the Qu-Pad app, allowing you to use your iPad to mix from anywhere in the venue when connected to a wireless network.
Engineered for intuitive navigation, the mixer also features a 7" touchscreen display, providing access to all settings. Furthermore, the mixer has 33 automatable, motorized faders for fast recall of levels when mixing FOH for multiple acts on the same stage, dealing with multiple monitor mixes, and similar scenarios.
New Features In Firmware V1.9
- Pro Factory Mic Presets co-developed with leading microphone manufacturers including Shure, Sennheiser, and Audio-Technica
- Updated iPad app functionality
- Windows Daw Control app
- DAW Templates online for users of Cubase, Logic X, and Pro Tools
- And More
Features at a Glance:
- 32 Mic / Line Inputs (TRS + XLR)
- 33 Motor Faders
- 3 Stereo Inputs (TRS)
- 24 Mix Outputs (XLR)
- 4 Stereo Groups
- 2 Stereo Matrix Outs
- 4 DCA Groups
- 4 Mute Groups
- 4 FX Engines
- 4 FX Sends / Returns
- 10 Soft Keys
- 32— 32 USB Audio Interface
- DAW MIDI Control
- AES Digital Out
- Recallable AnalogiQ Preamps
- Qu-Drive direct Multi-track Recording / Playback on USB drives
- 7 Touchscreen
- iLive FX Library
- dSNAKE Remote Audio Port
- Compatible with ME Personal Mixing System
- Qu-Pad iPad App
- Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay on all Inputs
- Insert, 4-band PEQ, 1/3 octave GEQ, compressor and delay on all Mix outputs
- Built-in Signal Generator
- RTA with Peak Band indication
AnalogiQ Preamps
Qu-32 s twenty-four AnalogiQ total recall preamps feature zero-crossing detection and a padless 1 dB-step gain stage, closely allied to the DSP for optimal gain accuracy and audio transparency. The analog signal is captured by low-latency 24-bit analog-to-digital converters matched to 24-bit digital-to-analog converters to deliver the required outputs. The AnalogiQ design has been refined to offer transparency, minimal distortion, and an ultra-low noise floor, with a warm, musical sound
The Mixing Experience
Having massive processing power and advanced functionality is great, but it counts for nothing if you can t access the controls you need in a heartbeat. Once you start using Qu-32 you ll sense the years of research into ergonomics and the hands-on mixing experience that delivers a natural layout and workflow. It s not about recreating an analog interface it s about creating an experience that s fluid, comfortable and intuitive for novices, digital natives and old-school road warriors alike, making all the benefits of digital mixing technology readily accessible to all
Touch Control
The 800 x 480, sixteen-million color touchscreen and its dedicated data encoder form the heart of the Qu-32 interface, providing fast access to all settings. The user-friendly interface has been designed with clarity in mind. Dedicated keys and screen tabs guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more
The SuperStrip
All your key processing tools are presented in a clean layout on the SuperStrip, with 1 function per physical control. The SuperStrip is complemented by an onscreen Touch Channel for intuitive access to full processing parameters without clutter or complex menu structures. Processing for Mono and Stereo inputs includes trim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay. The main LR and the Mono mixes have controls for Insert, 1/3 octave GEQ, compressor and delay. The Stereo mixes provide Insert, 4-band PEQ, compressor, delay and balance control
Fader Automation
Moving faders started as an expensive option in the studio desks of the 80s, and later became the norm with the advent of digital technology. Nevertheless some entry-level digital mixers lack this feature which is a fundamental part of the Total Recall approach. Fader automation is essential for rapid mixing, especially when you re dealing with multiple monitor mixes. Just press a mix key and the faders immediately fly to the send levels for that mix. Qu-32 features 33 motorized ALPS faders, 32 arranged over 2 layers, allowing instant access to all channels and masters in a compact space, plus a dedicated master fader which dynamically follows the mix selection. A third, Custom layer is available for ad-hoc user strip layout, where any combination of Inputs, FX Sends, FX Returns, Mix masters and MIDI strips can be assigned
iLive FX
Qu-32 s dynamics and FX algorithms are derived from the FX used in our iLive pro touring series. Qu-32 boasts 4 stereo iLive FX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers, and more. The FX library has the ability to grow with future firmware releases. FX are returned to the mix on dedicated return channels, so you re not tying up your mono and stereo input channels. Each Stereo FX Return has a dedicated 4-band PEQ
Total Recall
True digital mixing is about being able to save and recall scenes (snapshots) at the press of a button. Qu-32 can store up to 100 full Scenes for recall at will. Channels and mixes can be made Safe from Scene recall. For example, if an instrument or mic gets swapped out after the soundcheck, the channel can be made safe to avoid settings being overridden by Scene recalls. Or if a broadcast feed or walk-in iPod is added last-minute before the show kicks off, that mix or channel can be made safe from any scene change. In addition, single-parameter updates can be blocked using per-scene Recall Filters or a Global Recall Filter. So if you tweak the graphic EQ to reflect the room response when the audience gets in, you can block this to prevent any overwriting at scene change. Custom settings for each EQ, compressor, channel or FX c
Allen & Heath Qu-32C 38x28 Digital Mixing Console (Chrome Edition) Specs
Mixer
Number of Analog Input Channels | 32 |
Number of Mic Preamps | 32 |
Number of Analog Output Channels | 24 |
Max I/O Capacity | 32 x Input / 24 x Output |
Mix Routing | 4 x Stereo FX Return |
Groups | 4 x Mute Group 4 x DCA Group |
Presets | Yes |
Display | 7" Touchscreen |
Display Resolution/Color | Main Display: 800 x 480 |
Faders & Level Adjustment | 33 x 3.9" / 100 mm Motorized Fader |
Meter Range | -48 to -3 dBFS Peak/Clip (+19 dBu at XLR Output) |
Meter Calibration | 0 dB on Meter = -18 dBFS (+4 dBu at XLR Output) |
Signal Processing
Gain/Trim Range | Line: ±24 dB (Stereo Channels) Line/Mic: -10 dB to +60 dB (in 1 dB Steps) |
Input Polarity | Normal/Reverse |
Dynamic Processing | Compressor, Gate |
Gate Parameters | Threshold: -72 to +18 dBu Depth: 0 to 60 dB Attack: 50 μs to 300 ms Hold: 10 ms to 5 sec Release: 10 ms to 1 sec |
Compressor Parameters | Threshold: -46 to 18 dBu Ratio: 1:1 to :1 Attack: 300 μs to 300 ms Release: 100 ms to 2 sec Knee: Soft / Hard |
EQ | FX Returns: 4-Band Parametric |
EQ Parameters | 1 x HF Shelf: ±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable) 2 x MF Notch/Peak: ±15 dB at 20 Hz to 20 kHz 1 x LF Shelf: ±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable) |
Graphic EQ | 28-Band 1/3 Octave, ±12 dB 31 Hz to 16 kHz |
Filters | High-Pass: 20 Hz to 20 kHz, 12 dB/Octave |
Solo/Mute | Solo, Mute per Input Channel, Master |
Channel Output/Source Monitoring | AFL, PFL, Post-Preamp, Post-EQ, Post-FX |
Built-In Effects | Reverb Delay Reverb (Gated) ADT Chorus Phaser Flanger |
Real Time Analyzer | 31-Band 1/3 Octave, 20 Hz to 20 kHz |
Audio Delay | Adjustable Up to 170 ms |
Automatic Mic Mixing | Yes |
Digital Audio
Sample Rates | 48 kHz AES3 Output: 48 kHz Stereo Record: 48 kHz Stereo Playback: 44.1 / 48 kHz Multitrack Record: 48 kHz Multitrack Playback: 48 kHz |
Bit Depth | AD/DA Conversion: 24-Bit Delta Sigma Stereo Record: 24-Bit Stereo Playback: 16 / 24-Bit Multitrack Record: 24-Bit Multitrack Playback: 24-Bit |
Latency | 1.2 ms (Mic Input to XLR Output) 0.7 ms (Mic Input to AES Output) |
Performance
dBFS Reference Level | +18 dBu = 0 dBFS |
Headroom | +18 dB |
Frequency Response | 20 Hz to 20 kHz +0/-0.5 dB |
Max Input Level | Aux Input: +22 dBu Mic Input: +19 dBu Line Input: +29 dBu |
Output Level | Line Output: +22 dBu (2901653168) +4 dBu (2901653169) Stereo Output: +22 dBu (2901653168) +4 dBu (2901653169) |
Analog Dynamic Range | 112 dB |
I/O Impedance | 1/4" Stereo Output: < 75 Ohms AES3 Output: 110 Ohms Aux Input: > 7 Kilohms XLR Line Output: < 75 Ohms XLR Line/Mic Input: > 5 Kilohms 1/4" Line/Mic Input: > 10 Kilohms |
Noise Floor | -90 dBu (with Inputs Muted) |
THD+N | Mic/Line Input: 0.0005% at Unity Gain 0.001% at +30 dB Gain |
Signal Generator | Sine, White, Pink, or Band-Pass Noise (Assignable to Any Mix) |
Connectivity
Analog Inputs | 1 x XLR Talkback Input 32 x XLR Balanced Mic Input 32 x 1/4" TRS Balanced Line Input 4 x 1/4" TRS Balanced Aux Input (2 Stereo Pairs, Half-Normalled) 1 x 1/8" / 3.5 mm Unbalanced Aux Input |
Analog Outputs | 10 x XLR Balanced Mix Output 2 x XLR Balanced Main Output 4 x XLR Balanced Subgroup Output 4 x XLR Balanced Matrix Output 4 x 1/4" TRS Balanced Aux Output (2 Stereo Pairs) |
Phantom Power | +48 V |
Digital I/O | 1 x RJ45 (Network) 1 x XLR AES3 Output 1 x etherCON dSNAKE (I/O) |
MIDI I/O | None |
USB | 1 x USB-A (External Memory) 1 x USB-B 2.0 (Audio Streaming) |
Expansion Ports | None |
Wireless Connectivity | Wi-Fi |
Mobile App Compatible | Yes *As of March, 2023: Check with manufacturer for the most up-to-date compatibility |
Recording
Max Multitrack Recording | 18 Tracks |
Power
AC Input Power | 100 to 240 VAC, 50 / 60 Hz |
AC Power I/O | 1 x IEC Input |
Power Consumption | 150 W (Maximum) |
Physical
Rack Mountable | No |
Operating Temperature | 32 to 95°F / 0 to 35°C |
Dimensions | 33.5 x 19.7 x 7.4" / 850 x 500 x 186 mm |
Weight | 44 lb / 20 kg |
Packaging Info
Package Weight | 48.45 lb |
Box Dimensions (LxWxH) | 39 x 26 x 13" |
Allen & Heath Dust Cover for Qu-32 Mixer Specs
Material | Water-repellent 4 oz (113 g) polyester |
Weight | Not supplied by manufacturer |
Packaging Info
Package Weight | 0.275 lb |
Box Dimensions (LxWxH) | 12.2 x 8.75 x 1.15" |
Decksaver Cover for Allen & Heath QU-32 Mixer (Smoked/Clear) Specs
Compatibility | Allen & Heath QU-32 |
Material | Polycarbonate |
Dimensions | 33.9 x 18.7 x 1.6" / 86.0 x 47.5 x 4.0 cm |
Weight | 3.5 lb / 1.6 kg |
In the Box
- Mains Power Cable
- 2-Year Manufacturer Warranty
- 2-Year Manufacturer Warranty
- 2 Years Manufacturer Warranty
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