sE Electronics BL8 Overview
Delivering an all-metal, tank-like build quality and extreme flexibility for a wide range of live and studio applications, the BL8 Omni from sE Electronics is a boundary microphone sporting an omnidirectional, 3-micron true-condenser diaphragm for exceptional sensitivity in the low-frequency range, making it ideal for miking kick drums and similar bottom-heavy sources. With onboard controls for two different low-cut frequencies (80 or 160 Hz), two different attenuation levels (-10 or -20 dB), and two different EQ voicings (Classic or Modern), the BL8 Omni is versatile indeed, deftly handling ambient room miking, pianos, and more with exceptional clarity.
The transformerless, Class-A circuitry in the BL8 ensures enough headroom to avoid distortion and an ultralow-noise signal with plentiful transparency. The tour-ready enclosure sports a dent-proof grille and gold-plated XLR contacts to survive the rigors of the road the durable design can also support the Kelly Shu Flatz Isolation System, ideal for heavy touring applications. This microphone includes a carry pouch for safe transport.
Low Cut
This switch allows you to curb the low-frequency response at two different frequencies (80 or 160 Hz) or leave it flat. For applications like room miking or speech, the low-cut switch reduces unwanted footfall noise and rumble. It can also be used to minimize proximity effect.
Attenuation Pad
The attenuation pad reduces the microphone s signal by 10 or 20 dBs when activated, preventing loud sources from overloading your mixer, preamp, or audio interface. In its center position, the pad is deactivated, and the microphone s output is unaffected.
It is recommended that you initially activate the 10 dB attenuation when miking a kick drum. For very loud sources, you may need to activate the 20 dB attenuation. Moderately loud sources should be fine at the 0 dB setting.
Character
The ideal studio kick drum tone is often different than preferences in a live sound environment. Similar to the award-winning kick-drum mic, the V KICK, the BL8 Omni offers Classic and Modern character voicings.
These options both cut and shape the low-mid frequencies to emphasize transients and punch. In its center position, the capsule s neutral response is retained, which is ideal for a plethora of other applications.
Swappable Capsule
The omnidirectional capsule inside the BL8 Omni can be swapped for an alternative, such as the half-cardioid capsule, to allow for an even greater range of applications. Simply turn the screw at the center of the mic s grille until its loose, remove the capsule retainer screw, and replace.
Surface Mounting
Using screws, the BL8 Omni can be mounted to a surface, wall, ceiling, or the lid of a grand piano. Simply open the microphone as you would if you were changing the capsule.
The two mounting points are covered with black stickers remove them with a sharp tool. Then, use a sharp tool to punch through the underlying protective foil, and mount as desired with screws (not included).
EAN: 819032012055
sE Electronics BL8 Specs
Key Specs
Form Factor | Boundary/Surface Mount |
Element Type | 1x Condenser |
Polar Pattern | Omnidirectional |
On-Board Controls | High-Pass Filter, Pad |
Frequency Range | 20 Hz to 20 kHz |
Maximum SPL | 141 dB SPL (.5% THD) 161 dB SPL Peak (.5% THD, with Pad) |
Analog Output | 1x XLR 3-Pin Male (on Mic) |
Power Sources | Phantom Power |
In the Box
- sE Electronics BL8 Omni Boundary Microphone
- Pouch
- 2-Year Manufacturer Warranty
Registration Extension: 2-Year
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