Offering podcasters, show hosts, and broadcasters the impactful sound of FM radio voices along with smooth, professional-looking mic positioning, this Kit features the fawn beige Electro-Voice RE20 dynamic broadcast announcer microphone, the dbx 286s preamp/channel strip, a suspension shockmount, a foam windscreen, and a two-section broadcast arm with internal springs and an integrated XLR cable.
The RE20 delivers voice-tailored frequency response, minimal proximity effect, and sonic performance akin to a studio condenser mic, and the foam windscreen helps control noise from blasts of air such as plosives. The dbx 286s provides up to 60 dB of gain along with all the functions you need to achieve a robust and present sound its compressor, de-esser, high-pass filter, enhancer, and expander/gate are effective and easy to use. The combination of the suspension shockmount and the broadcast arm yields low noise as you adjust the mic s placement while providing the appearance of a video-ready setup.
Electro-Voice RE20 Broadcast Announcer Microphone with Variable-D (Fawn Beige)
A broadcast industry standard, the RE20 Broadcast Announcer Microphone with Variable-D from Electro-Voice is a cardioid dynamic microphone that delivers reliable, low-noise performance with exceptional clarity and definition. This model is styled in the classic fawn beige finish.
Tailored Response
Response tailored especially for vocals with high sound pressure handling capabilities.
Construction
Rugged, steel construction with low handling noise.
True Cardioid Pattern
The RE20 features a cardioid polar pattern with no coloration at 180-degrees off-axis the frequency response is nearly independent of angular location of the sound source, creating virtually no off-axis coloration, yet providing the greatest possible rejection of unwanted sounds.
Internal Windscreen
An internal blast and wind filter eliminates pop and wind noise at the closest proximity. In recording sessions or on stage, singers can " close talk" the microphone, singing with their lips almost touching the grille screen with no worry of " P-pops" or excessive sibilance.
Bass Tilt-Down Switch
The bass tilt switch corrects spectrum balance for use in long-reach situations and eliminates low frequency noise and rumble.
Flat Frequency Respone
The RE20 s flat frequency response remains flat even at extremely close proximity.
EAN: 701001000098
dbx 286s - Microphone Preamp/Channel Strip
The 286s from dbx is a full featured channel strip that includes a studio quality microphone/instrument preamplifier, and four processors that can be used independently or in any combination. The hassle of patching together multiple processors for use on one track can be frustrating. The unit delivers the entire microphone processing chain needed in a single box, with the shortest, cleanest signal path.
Features include wide-ranging input gain control, switchable +48V phantom power, and an 80Hz high-pass filter to remove low frequency hum, rumble or wind. The dbx OverEasy compressor can transparently smooth out uneven acoustic tracks, or deliver the classic " in your face" vocal performance. Vocal sibilance can be tamed or even eliminated and high frequency distortion removed from instruments such as cymbals with the frequency tunable De-Esser.
The Enhancer provides both HF Detail and LF Detail controls that can add sparkle and crispness to vocals, while making adjustments to the low frequencies for adding fullness and depth to vocals and bass instruments. Muddy low midrange frequencies can be cleaned and the separate threshold and ratio controls on the Expander/Gate allow for subtly reducing headphone leakage, or radically gate noisy guitar amplifiers.
The channel strip provides a full complement of metering and status LEDs. The XLR microphone input accepts balanced or unbalanced inputs, allowing for easily connecting professional or home studio microphones. The 1/4" TRS line input can accept balanced/unbalanced signals to process live electronic instruments or pre-recorded tracks at mix-down, while an insert jack provides access to the signal flow between the preamp and the processing sections for connection to external processors.
Studio quality microphone preamp/channel strip processor
Classic dbx compression puts great sound within easy reach
Frequency tunable de-esser reduces sibilance and high frequency distortion
Enhancer increases the detail and definition of the high and low frequencies
Program adaptive expander/gate
Insert jack allows you to add an external processor
Full complement of meters and status LEDs
+48V phantom power
Precision detented controls
EAN: 691991401237
Auray SSM-BC10 Microphone Suspension Shockmount (Black Matte)
The black matte SSM-BC10 Microphone Suspension Shockmount from Auray is designed to keep your front-address microphone free from vibrations and noise that can often affect broadcast and voiceover applications. The heavy-duty bands isolate your microphone, eliminating the vibrations that can travel through your mic stand or broadcast arm.
The shockmount is equipped with a standard 5/8" -27 threaded socket and fits most mic stands and broadcast arms. Its locking knob and protective inner ring secure your mic in place while protecting its finish. The swiveling basket allows for precise microphone placement.
Eliminates Noise
The SSM-BC10 prevents unwanted vibrations that can radiate through a mic stand or broadcast arm from disrupting your broadcast or recording.
Swiveling Basket with Tension Knobs
The swiveling basket provides precise microphone positioning. Dual tension knobs maintain the angle of the microphone while still allowing smooth repositioning.
5/8" -27 Thread
The SSM-BC10 features a mic stand adapter with a standard 5/8" -27 thread that is compatible with most mic stands and broadcast arms.
Locking Knob with Inner Ring
The locking knob holds the microphone firmly in place. The inner ring applies uniform pressure to the outside of the microphone and prevents damage to the microphone finish
All-Metal Construction
The SSM-BC10 is a durable studio accessory that is built to last. The all-metal construction assures security and protection for the microphone.
Heavy-Duty Elastic Bands
The heavy-duty elastic bands suspend the microphone in the center of the basket, and prevent shocks and vibrations that can radiate through the mic stand or broadcast arm from reaching the microphone.
Black Matte Finish
Using the SSM-BC10 for on-air broadcast, the black matte finish will not reflect lights into the cameras.
For Front-Address Microphones
The SSM-BC10 fits front-address microphones such as the Electro-Voice RE20 and RE320 and the Heil Sound PR 40.
EAN: 847628585188
Auray WCF-UB440 Foam Windscreen for Large-Diaphragm Condenser Mics
The Auray WCF-UB440 Foam Windscreen for the Senal UB-440 is made from specialty acoustic foam designed to reduce broadband wind noise with minimal high-frequency loss. The density of the foam is optimized to help protect the microphone element from vocal plosives and wind pressure without dramatically muffling the sound.
This windscreen is effective
Electro-Voice RE20 Broadcast Announcer Microphone with Variable-D (Fawn Beige) Specs
Microphone
Form Factor | Stand/Boom Mount |
Intended Sound Sources | Vocals, Speech/Voice Over |
Sound Field | Mono |
Operating Principle | Pressure Operated |
Capsule | Dynamic |
Polar Pattern | Cardioid |
Pad | None |
High-Pass Filter | None |
Tone Adjustment | None |
Indicators | None |
Windscreen | Foam (Available Separately) |
Performance
Frequency Range | 45 Hz to 18 kHz |
Impedance | 150 Ohms |
Sensitivity | 1.5 mV/Pa |
Physical
Color | Beige |
Mounting | Mic Clip/Stand Adapter (with Included Hardware) |
Included Case | None |
Included Filters | None |
Construction Material | Steel |
Dimensions | .: 2.13 x L: 8.54" / .: 54 x L: 216.92 mm |
Weight | 26 oz / 737.1 g |
Packaging Info
Package Weight | 2.52 lb |
Box Dimensions (LxWxH) | 12.05 x 7 x 3.45" |
dbx 286s - Microphone Preamp/Channel Strip Specs
Number of Channels | Single |
Inputs | 1 x XLR Microphone (p2 hot) 1 x 1/4" TRS phone Line 1 x 1/4" TRS phone Insert |
Outputs | 1 x 1/4" TRS phone Insert |
Frequency Response | 20Hz to 20kHz, +0.5/-0.5dB |
Noise | <-80dBu unweighted (20Hz-20kHz); both gain controls set for 0dB, all processing controls OFF |
Preamp | |
Gain Range | 0dB to +60dB |
Maximum Output | 0.25Vrms, Gain = 30dB |
Input Impedance | ~4.2k. |
EIN | -125dBu, 22Hz to 22kHz, 150. source impedance |
CMRR | >40dB, typically 55dB |
Phantom Power | +48VDC, applied to XLR pins 2 and 3 through 6.81k. resistors |
Line Input | |
Impedance | 10k. unbalanced, 20k. balanced |
Maximum Level | >+21dBu, balanced or unbalanced |
Gain Range | -15dB to +45 dB |
CMRR | >40dB, typically 55dB |
Insert | |
Impedance | Ring: >5k. Tip: 100. |
Maximum Level | >+21dBu, >+20dBm (600. load) |
Noise | <-89dBu, unweighted (20Hz to 20kHz); Line Gain control set to 0dB |
Distortion | <0.01% THD, 20Hz to 20kHz, +10dBu |
Line Output | |
Impedance | 100. unbalanced, 200. balanced |
Maximum Level | >+21dBu, >+20dBm (600. load) |
Gain Range | -30dB to +10dB |
Noise | <-80dBu unweighted (20Hz-20kHz); both Gain Controls set for 0dB, all processing controls OFF |
Frequency Response | 20Hz to 20kHz, +0.5/-0.5dB |
Distortion | <0.08%THD, 20Hz to 20kHz, +10dBu, all processing controls OFF |
Compressor | |
Threshold Range | -40dBu to +20dBu |
Ratio | >4:1 for input levels beyond 20dB above threshold |
Attack Time | Program dependent: >1S for small level increases, down to 10mS for large increases |
Release Time | Program dependent: adjustable between approximately 1dB/sec and 75dB/sec |
Slope | OverEasy |
Sidechain | No |
Distortion | Typically <0.05%THD, 20Hz to 20kHz, 15dB gain reduction, +10dBu Output, Density @ 0 |
SMPTE | Intermodulation Distortion: <0.05%; 60Hz/7kHz 4:1, 15dB gain reduction, +10dBu Output Level, Density @ 0 |
Equalizer | |
Filter Type | Not applicable |
Frequency Bands | Not applicable |
Bandwidth | Not applicable |
Range (Boost/Cut) | Not applicable |
Light Indication | N/A |
Threshold Range | Not applicable |
Ratio | Not applicable |
Attack Time | Not applicable |
De-Esser | |
Characteristics | Wideband Gain Reduction |
Frequency Range | 800Hz to 10kHz High Pass, 12dB/octave |
Release Time | Program dependent approximately 1mS/dB |
Enhancer | |
HF Detail | Program-controlled shelving equalizer, approximately 15dB maximum HF boost |
LF Detail | Bell-shaped boost @ 80Hz, bell-shaped cut @250Hz, ratio is approximately 2:1 |
Gate | |
Gate Threshold | OFF to +15dBu |
Expansion Ratio | Adjustable 1.5:1 to 10:1 |
Maximum Depth | >50dB |
Attack Time | Program dependent, approximately 2mS (at maximum attenuation) |
Release Time | Program dependent, approxiamtely 10mS/dB |
Dynamic Range | Typically 105dB |
Physical | |
Power Requirements | 220VAC 60Hz, 100VAC 50/60Hz 15W consumption |
Operating Temperature |
In the Box
- 81715 Stand Adapter
- 3-Year Manufacturer Warranty
- AC Power Cable
- 2-Year Manufacturer Warranty
- 2-Year Manufacturer Warranty
- Auray BAC-1 Universal Interchangeable Combo Mount for Broadcast Arms
- 4 x Mounting Screws
- Auray BAR-1 14" Riser for Broadcast Arms
- 2-Year Manufacturer Warranty
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