Lewitt LCT 640 TS Dual-Output-Mode Condenser Microphone

Set to dual-output mode, the microphone allows you to record Mid-Side stereo with one LCT 640 TS microphone, which is usually only possible with two microphones. Other features include Lewitt s Polarizer plug-in to tweak the material already recorded in your DAW. Clipping history, four low-cut and pre-attenuation settings round off the features of the LCT 640 TS microphone.

Powerful Dual-Output Mode

The LCT 640 TS provides the signal of the front and the back capsule separately. In addition to your standard XLR cable, plug in the included mini 3-pin XLR and experience all the possibilities of this true next-gen microphone. Use both outputs to capture the whole session instead of committing to a single source

Polarizer Plug-In

After recording with the LCT 640 TS, use our plug-in to change the pattern. Jump back and tweak your material

Standard Multi-Pattern Mode

Plug in a standard 3-pin XLR cable and you have a large-diaphragm multi-pattern condenser mic featuring the following polar patterns: Omni, wide cardioid, cardioid, supercardioid, and figure-8

Magnetic Pop Filter

The filter hides nothing and captures everything except plosives and hisses. This efficient magnetic pop filter will reduce pops and hisses without covering 2/3 of your vocal artist s face. It is a subtle and convenient way to get the most out of every single recording

MS Stereo with One LCT 640 TS

Definitely. Usually, mid-side stereophony can only be done with two microphones. But now it is easier to use one LCT 640 TS. Just point the side of the microphone to the signal source and record both outputs on a stereo track in your DAW. Change the panorama for both signals to adjust the stereo width

Accurate Match Technology

Any two LCT 640 TS microphones will always form a matched pair. Add another one and you will get a matched triplet, and so on. Every single LCT 640 TS undergoes a series of measurements followed by adjustment of the polarization voltage to achieve exactly the same sensitivity in every microphone

Low-Cut and Attenuation

The mic enables you to adapt to every situation
Low-cut: Linear, 40, 80, and 160 Hz
Attenuation: 0, -6, -12, and -18 dB