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AEA Ribbon Mics R44C Ribbon Microphone
EAN: 652401977513
A handcrafted, museum-quality replica of the 1936 to 1938 RCA 44BX, the USA-made AEA Ribbon Mics R44C is the ultimate solution for engineers, producers, and musicians who desire the acclaimed sound of the 44BX without the drawbacks of an aged and worn vintage microphone. Utilizing an RCA-spec 2.35 long ribbon, 44BX-interchangeable parts, and a bidirectional figure-8 polar pattern, the R44C delivers true-to-the-original tonality with up to 90 dB of rejection at the sides. Plus, it can handle extreme SPLs and capture anything from soulful vocals to full orchestras with character and class.
The 10 attached cable is terminated with a standard XLR 3-pin male connector for hookup to virtually any microphone preamp, no phantom power required. High-gain, high-impedance preamps are recommended for optimal microphone performance. The integrated yoke-style cushion mount reduces bulkiness while ensuring ease of positioning in the studio. A vertical case is included for proper storage of the mic between sessions.
Legendary Big Ribbon Sound
The AEA R44 Series microphones maintain an iconic legacy of great ribbon mics by delivering a rich sound full of character and color. Effective on a broad range of instruments and rooms, R44 mics bolster mids and lows while smoothing harsh high frequencies to produce a multi-dimensional sound unique to itself.
Used on everything from crooning vocalists to full orchestras, an R44 mic is the ideal choice to capture the tone of any voice or instrument while imparting its legendary ribbon character.
Faithful Reproduction of the RCA R44BX
AEA s R44 Series microphones all share the authentic sound, feel, and look of the 1936 to 1938 RCA 44BX. The R44 Series microphones are all detailed, handcrafted replicas, using parts that are made to be interchangeable with an original RCA 44. AEA manufactures three different versions of the R44 and hot rod variants of the passive R44s.
At the core, every version of the R44 sounds the same when powered with a ribbon preamp. The major differences between the versions are the exterior look and the amount of output level.
The R44 Variants
The passive R44 is available in two exteriors-the original museum-quality replica R44C and the aesthetically cost-effective R44CE. Both mics have an identical sound and are exactly the same on the inside. The difference between the two is only cosmetics and price.
Designed for High-Gain Preamps
Since the R44C is a passive ribbon microphone, a good preamp is critical for optimum performance. Preamp gain should be at least +60 dB or higher and it should have a very-high impedance. These requirements are vital for the ideal performance of any ribbon mic.
To guarantee consistent, full-range ribbon sound with the passive R44C, preamps designed specifically for ribbon microphones (such as AEA s RPQ2, RPQ500, and TRP2 preamps) are available separately. However, preamps with above a 5-Kilohm impedance found in many live soundboards are adequate for guitar amps and other louder instruments. On quiet sound sources or for distance recording, an AEA preamp is highly recommended.
Features at a Glance
EAN: 652401977513
A handcrafted, museum-quality replica of the 1936 to 1938 RCA 44BX, the USA-made AEA Ribbon Mics R44C is the ultimate solution for engineers, producers, and musicians who desire the acclaimed sound of the 44BX without the drawbacks of an aged and worn vintage microphone. Utilizing an RCA-spec 2.35 long ribbon, 44BX-interchangeable parts, and a bidirectional figure-8 polar pattern, the R44C delivers true-to-the-original tonality with up to 90 dB of rejection at the sides. Plus, it can handle extreme SPLs and capture anything from soulful vocals to full orchestras with character and class.
The 10 attached cable is terminated with a standard XLR 3-pin male connector for hookup to virtually any microphone preamp, no phantom power required. High-gain, high-impedance preamps are recommended for optimal microphone performance. The integrated yoke-style cushion mount reduces bulkiness while ensuring ease of positioning in the studio. A vertical case is included for proper storage of the mic between sessions.
Legendary Big Ribbon Sound
The AEA R44 Series microphones maintain an iconic legacy of great ribbon mics by delivering a rich sound full of character and color. Effective on a broad range of instruments and rooms, R44 mics bolster mids and lows while smoothing harsh high frequencies to produce a multi-dimensional sound unique to itself.
Used on everything from crooning vocalists to full orchestras, an R44 mic is the ideal choice to capture the tone of any voice or instrument while imparting its legendary ribbon character.
Faithful Reproduction of the RCA R44BX
AEA s R44 Series microphones all share the authentic sound, feel, and look of the 1936 to 1938 RCA 44BX. The R44 Series microphones are all detailed, handcrafted replicas, using parts that are made to be interchangeable with an original RCA 44. AEA manufactures three different versions of the R44 and hot rod variants of the passive R44s.
At the core, every version of the R44 sounds the same when powered with a ribbon preamp. The major differences between the versions are the exterior look and the amount of output level.
The R44 Variants
The passive R44 is available in two exteriors-the original museum-quality replica R44C and the aesthetically cost-effective R44CE. Both mics have an identical sound and are exactly the same on the inside. The difference between the two is only cosmetics and price.
Designed for High-Gain Preamps
Since the R44C is a passive ribbon microphone, a good preamp is critical for optimum performance. Preamp gain should be at least +60 dB or higher and it should have a very-high impedance. These requirements are vital for the ideal performance of any ribbon mic.
To guarantee consistent, full-range ribbon sound with the passive R44C, preamps designed specifically for ribbon microphones (such as AEA s RPQ2, RPQ500, and TRP2 preamps) are available separately. However, preamps with above a 5-Kilohm impedance found in many live soundboards are adequate for guitar amps and other louder instruments. On quiet sound sources or for distance recording, an AEA preamp is highly recommended.
Features at a Glance
- Unparalleled warmth and legendary character
- Full and rich tonality with generous low-end and proximity effect
- Faithful reproduction of the RCA R44BX
- Ribbon material meets or exceeds original RCA spec
- Handles SPLs up to 165 dB
- Versatile in close-range or ambient applications
- Made in the USA
AEA Ribbon Mics R44C Specs
Microphone
Form Factor | Stand/Boom Mount |
Sound Field | Mono |
Operating Principle | Pressure Gradient |
Capsule | Ribbon |
Diaphragm | 2.35" / 59.69 mm |
Polar Pattern | Figure-8 |
Pad | None |
High-Pass Filter | None |
Tone Adjustment | None |
Gain Adjustment | None |
Indicators | None |
On-Board Controls | None |
Windscreen | None |
Performance
Frequency Range | 20 Hz to 20 kHz |
Maximum SPL | 165 dB SPL (1 kHz, 1% THD) |
Impedance | 270 Ohms |
Load Impedance | 1.2 Kilohms |
Sensitivity | 2.25 mV/Pa |
Connectivity
Headphone Connector | None |
Cable Length | 10` / 3.0 m |
Physical
Mounting | Shockmount (via Integrated Hardware) |
Dimensions | H: 12.25 x W: 4.62 x L: 3.25" / H: 31.12 x W: 11.73 x L: 8.26 cm |
Weight | 7.56 lb / 3.43 kg |
In the Box
- AEA Ribbon Mics R44C Ribbon Microphone
- Vertical Case
- 2-Year Manufacturer Warranty
Registration Extension: 2-Year
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