DPA Microphones 2015 Wide-Cardioid Microphone Kit with Stand & Cable

A Wide-Cardioid Pattern for Instruments and Ensembles

• Equally at home in the orchestra pit, on a live stage, or in the studio, the 2015 is a versatile mic you can use to capture detailed, natural sound from a wide range of instruments, including grand pianos, horn groups, vibraphones, marimbas, xylophones, and other large instruments it s also an excellent choice for drum overheads.
• Using an additional 2015 (available separately) for stereo recordings can provide many good mix options, especially for overhead, ambient, and ensemble recordings.
• The microphone offers a linear frequency response when positioned about 11.8 inches from the source.
• A flat on-axis frequency response with a light presence boost in the 5 to 15 kHz range provides faithful reproduction of instrumental performances.
• The 17mm electret-condenser capsule delivers rich, expressive sound and can handle SPLs up to 147 dB, allowing you to use it on loud sources.
• The uniform wide-cardioid polar pattern provides 3 dB of attenuation at 90° and 6 dB of attenuation at 135° . This pattern ensures performance that is similar to an omnidirectional microphone from the front, but from the back, it exhibits performance similar to a cardioid mic.
• The uniform off-axis response ensures that any bleed from other instruments is a truly accurate reflection of the original sound.

Durable, Performance-Ready Build Quality

• Live performance stages can be difficult environments for equipment, especially for a go-to mic that you ll use on every show.
• The 2015 is built with a thick and robust structure that can stand up to the everyday abuses of touring and performing, with extra-durable surfaces for more graceful aging.
• The compact size makes it easier to optimally place the mic, even on cramped stages packed with equipment.
• The included professional-quality holder provides a firm grip to keep the mic in place a foam windscreen is also supplied.
• Connect the standard 3-pin XLR connector to a wide variety of mixing boards and preamplifiers and power the electret-condenser capsule with 48V phantom power.

Warm Audio Premier Series Balanced XLR Cable (15 )

Presented here with a cable length of 15 , this Warm Audio Premier Series XLR Cable is designed to provide a high-end connection between balanced gear with XLR jacks, such as microphones, outboard equipment, and interface-to-monitoring connections. If you care about the details of your sound onstage and in the studio, use this cable to preserve your signal.

This XLR cable is chock-full of features that enable a top-of-the-line performance, such as gold-plated connectors and a star-quad wiring scheme for superior RFI rejection in the balancing process. Double-Ruessen shielding helps protect against EMI, and a braided outer wrap fights against tangling. To guarantee an optimal performance, Warm Audio partnered with Gotham AG, one of Switzerland s best producers of premium cable.

The Premier Touch

Warm s Premier cables go above and beyond, adding features like gold-plated connectors, a braided outer wrap, four-conductor star-quad construction (helping aid in giving you powerful rejection of RFI), and double-Ruessen shielding (also for increased rejection of EMI).

Braided Premier Wrap

This braided wrap removes the friction that occurs when rubber or PVC rub together, so it s much easier to handle and wrap the cable. No more fighting with a rat s nest of cable spaghetti. The braided wrap also adds an element of strength and reliability, as it helps to protect the cable s PVC jacket from damage due to pinching or binding.

Star Quad Explained

A traditional balanced cable uses three cores of wire to carry audio signalsone shielded core for the positive leg, one shielded core for the negative leg, and a plain outer wrap that functions as the ground. The idea is this: a fully balanced system flips the phase of the signal, merges the positive and negative signals together, and effectively cancels out interference encountered along the cable s length by throwing it out of phase with the audio.

Star-quad construction takes that concept even further by using five cores instead of three. Two cores are provided each for the positive and negative legs, as well as a single ground. This helps to further shield the audio from RFI (radio frequency interference), ensuring an even better performance.

Double-Ruessen Shielding Explained

Double-Ruessen shielding goes further than more traditional techniques in two ways: First, the cable is wrapped with two separate shields. Second, the outer shield is wrapped in a contrary direction to the inner shield, creating a stronger and more complete barrier from EMI for the internal cores.

Gold-Plated Connectors

Gold connectors have characteristics that are advantageous for signal transfer and provide more resistance to corrosion than other metals, making it well-suited for cable connectors.

EAN: 850016400055

TAMA Iron Works Tour MS455BK Tripod Boom Microphone Stand

The Iron Works Tour MS455BK from Tama is a boom stand with tripod legs. It has a 33-1/4" boom arm and can be used in applications for live stage, theater, rehearsals, houses of worship, and more.

The boom stand features a Sure-Cast adjustment collar, a Latch-Lok sleeve insert, and a die-cast locking thumb nut, and the base is 29-3/8" when opened. The stand s height is adjustable from 38-3/4 to 65-3/8" and is suitable for virtually any miking situation. It folds down to 38-3/4" for easy transport.

The MS455BK stand combines versatility and ease of use with the peace of mind needed in musical performances, speeches, and presentations.

EAN: 887802200797