TASCAM DR-100MKIII Linear PCM Recorder and Case Kit

The TASCAM DR-100MKIII Linear PCM Recorder and Case Kit includes the TASCAM linear PCM recorder and a Porta Brace AR-DR100mkiii custom carry case. The kit's recorder supports 24-bit/192 kHz recording resolution and records MP3 and WAV files for various film and video applications. In dual-recording mode, a lower-level safety track is simultaneously recorded in case the initial recording is clipped.

The DR-100MKIII PCM recorder utilizes AKM AK4558 converters, offers a 109 dB signal-to-noise ratio, sports a temperature-compensated clock, and includes a built-in limiter, variable low-cut filter, and pad. This unit records to SDXC cards up to 128GB in size and runs on a rechargeable lithium-ion battery or AA batteries.

In addition, the 's Porta Brace AR-DR100mkiii is a custom carry case specifically designed for the TASCAM DR-100mkiii recorder. It protects the recorder from dust, dirt, and the bumps that accompany the rigors of travel. This has everything you need to safely get you and your gear to the next gig.

TASCAM DR-100mkIII 2-Input / 2-Track Portable Audio Recorder with Onboard 4-Mic Array

For demanding sound design and live music recording applications, the Tascam DR-100mkIII portable handheld recorder is capable of capturing two tracks of audio at up to 192 kHz with no external microphones required. Its onboard 4-mic array features omnidirectional and shock-mounted unidirectional microphones for optimal reproduction of ambience-heavy or dry sound sources. Equally adept as a handheld device and in stand- or camera-mounted setups, the DR-100mkIII can handle anything from tracking live concerts to recording audio for sound effects libraries and video.

Flexible powering methods— batteries, USB bus power, or an AC adapter— make the DR-100mkIII well suited to on-the-go recording and all-day video shoots. Its dual-battery structure utilizes an internal rechargeable 12-hour battery and two AA batteries (available separately) to deliver prolonged operating time. Need to patch in external mics or an outboard mixer? The DR-100mkIII's two balanced XLR-1/4" inputs accommodate mic- or line-level signals (even +4 dBu from professional consoles) and can supply phantom power if needed. Plus, there are two 3.5mm input jacks (one analog and one digital) that allow you to route signal from a lavalier mic or a digital media player. Whether you use the built-in mics or an external source, dual high-performance A/D converters, low-noise preamps, and a variety of selectable modes and settings empower you with options for achieving pristine, detailed, and undistorted recordings.

What's New on the DR-100mkIII

• Redesigned user interface with a large backlit LCD screen (double the size of the screen on the DR-100mkII), dedicated status LEDs, and dedicated hardware controls for immediate access to common functions
• Support for 192 kHz recording and playback
• Improved conversion quality and audio clock accuracy
• Support for SDXC cards (up to 128GB)
• Amphenol XLR-1/4” TRS combo inputs
• Advanced recording functions
• Shock-mounted unidirectional microphones
• Increased headphone output power
• Built-in tone generator for syncing files
• Comprehensive settings memory via XRI recording

Onboard 4-Microphone Array

The DR-100mkIII's onboard mic array includes four electret condenser microphones— two omnidirectional and two unidirectional— carefully positioned with each pair in a fixed A/B configuration. The omni set picks up sound waves from all directions and tolerates sound pressure levels up to 125 dB, so loud concerts and environmental noises won't be a problem. The unidirectional mics minimize pickup of sound entering from the rear of the capsules, resulting in a more focused tone with fewer reflections. Each directional mic is housed in an integrated shockmount to suppress unwanted vibration and handling noise, and is protected against bumps by a sturdy head case.

Dual XLR-1/4" Mic/Line Inputs with Phantom Power

Dual Amphenol locking XLR-1/4" TRS combo jacks support mic level and +4 dBu line level, allowing you to record external microphones or balanced outputs from a mixer or FOH console. With switchable 24V or 48V phantom power and ample gain, the mic preamps can serve a variety of microphones such as dynamic, ribbon, or condenser types. HDDA (High Definition Discrete Architecture) mic preamps grant the lowest noise of any Tascam handheld digital recorder.

3.5mm Mic/Line Input with Plug-In Power

For maximum intelligibility and optimal vocal tone, recordists often prefer to use lavalier microphones that can be attached to their subject's clothing. The DR-100mkIII's 3.5mm mini-jack input is designed for precisely that situation clip a lav mic (available separately) to the talent, then plug it into the 3.5mm input on the DR-100mkIII. Knowing that many lav mics require a small amount of voltage called plug-in power, Tascam offers a selectable setting to supply plug-in power to the 3.5mm input. If you need to record the output of a wireless microphone receiver or an audio mixer, the 3.5mm input can accommodate it because it supports line-level signal.

3.5mm Digital Input

Using the supplied digital input conversion cable, you can route a stereo digital source such as a media player or DJ mixer into the 3.5mm digital input jack. Once the digital source is selected in the menu, the DR-100mkIII will clock externally to the incoming digital signal and bypass the internal A/D converters.

Dual A/D Converters for High Signal-to-Noise Performance

Used in a variety of combinations, depending upon the selected function, the DR-100mkIII features dual AKM AK4558 converters with VELVET SOUND architecture, providing high sound quality, low power consumption, and 102 dB signal-to-noise ratio. Alteration of the A/D conversion is possible via four different filter types.

In dual ADC mode, the AK4558 converters are used in parallel to further enhance audio fidelity and push the signal-to-noise ratio to 109 dB. Data recorded in dual ADC mode will be limited to a 102 dB S/N ratio when played back on the DR-100mkIII, but the S/N ratio of the actual file is maintained at 109 dB.

High-Precision Clock

To ensure stable digital operations, the DR-100mkIII utilizes the same TCXO (Temperature-Compensated Crystal Oscillator) used in professional studio master recorders. Moreover, the TCXO is not affected by the temperature of the environment, critical for a portable device that must maintain its precision in support of high-quality recording.

Supports SDXC Cards up to 128GB

To maximize compactness and portability, the DR-100mkIII records directly to media cards (available separately). It supports SD, SDHC, and SDXC cards (up to 128GB capacity) for long recording times even at high audio resolutions. With a 32GB card, the DR-100mkIII can record in stereo for over 50 hours at 16-bit / 44.1 kHz using the uncompressed, BWF-compliant WAV format.

3.5mm Line and Headphone Outputs

When you want to record to your camera and the DR-100mkIII, just connect the 3.5mm mini-jack output from the DR-100mkIII into your camera's input, then use the menu-based output attenuation to reduce the line output level by 30 dB and avoid clipping your camera's input. Additionally, there is a dedicated 3.5mm headphone jack with its own level control for critical listening through your preferred headphones. Quick monitor checks can be done through the DR-100mkIII's built-in mono speaker.

Powered via Batteries, USB, or AC Adapter

With a dual-battery structure that allows the internal high-capacity battery to be used with AA batteries (available separately), operation is possible for extended periods of time, ensuring that the DR-100mkIII is always ready to go. The internal lithium-ion battery can power the DR-100mkIII for up to 12 hours of stereo recording time at 16-bit / 44.1<