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RED DIGITAL CINEMA RED RANGER MONSTRO 8K VV (Battle-Tested, Gold Mount)

RED DIGITAL CINEMA, Condition:New, MPN:710-0335-BT
25,250.91
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RED DIGITAL CINEMA RANGER Overview

Designed for demanding use in the studio and on location, this refurbished, Battle-Tested all-in-one RED RANGER MONSTRO 8K VV from RED DIGITAL CINEMA features a unibody design with integrated inputs and outputs, a shimmed PL mount, 24V power output, a 5-pin XLR audio input, and a larger built-in fan for improved thermal performance. With a unibody aluminum design and an integrated Gold mount battery plate, this 8K capture solution is ideal for rental houses and high-end production use as well as for individual users. The MONSTRO 8K VV full-frame sensor boasts up to 17 stops of dynamic range and can record the full image circle of full-frame 35mm lenses. You can also use Super35 lenses with a windowed capture area for high frame rate recording.

RED's versatile REDCODE RAW codec uses wavelet compression to reduce data rates while maintaining a visually lossless image rendering. This efficient codec can be edited on many available NLE software programs without transcoding, though if you prefer a proxy workflow, ProRes or DNx files can be recorded simultaneously to the MINI-MAG media. Lowering the recording resolution allows the sensor to capture higher frame rates for dramatic slow-motion footage. The DSMC2 cameras use sensor windowing to record slow motion in lower resolutions, requiring wider or smaller-format lenses to compensate for the additional crop. Recording rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher.

Note:

Battle-Tested products may include some minor cosmetic blemishes.

8K MONSTRO VV Sensor

RED's MONSTRO 8K 40.96 x 21.6mm sensor can take advantage of full-frame 35mm lenses, recording at rates up to 60 fps at full resolution. Higher frame rates, up to 300 fps, can be made available by windowing the sensor to lower resolutions. RED measured the MONSTRO sensor as having 17 stops of dynamic range, able to represent both deep shadows and bright highlights in the same frame.

All-in-One Form Factor with Gold Mount Plate

Unibody aluminum design with integrated inputs and outputs, 24V power out, 5-pin audio input, a shimmed PL mount, and a larger, built-in fan for improved thermal performance. The built-in plate enables you to use longer-lasting Gold mount batteries.

REDCODE RAW

The cornerstone of RED's workflow is the robust REDCODE RAW file format. Using wavelet compression with ratios ranging from 2:1 to 22:1, REDCODE RAW offers the versatility of raw files without the overwhelming storage requirements of uncompressed image data. Since REDCODE RAW has been around since the days of the RED ONE cinema camera, many common NLE software programs including Adobe Premiere Pro, Blackmagic Design DaVinci Resolve, Apple Final Cut Pro, and Avid Media Composer can import and edit REDCODE RAW footage without transcoding, saving production time in the edit suite. Capture rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher options.

Note: Not all compression ratios are available at all resolutions and frame rates.

Apple ProRes and Avid DNx Formats

For projects requiring proxy files or quicker turnaround times than raw files permit, Apple ProRes or Avid DNx formats can be recorded at 4K and 2K resolutions directly to the onboard MINI-MAG media. Since these debayered video files can be recorded alongside the raw files, no extra time is required for transcoding the proxies. Bring the debayered files straight into your NLE and begin editing.

Color Management

Supports 33x33x33, 32x32x32, 26x26x26, and 17x17x17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User-programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing

PL Lens Mount

The PL lens mount comes with a set of shims for adjusting the camera's flange focal distance to ensure accurate back focus. Flange focal distance can differ minutely according to different lens styles and changes in temperature and humidity the shims enable you to correct for these differences.

RED DIGITAL CINEMA RANGER Specs

Key Specs

Lens MountARRI PL
Sensor ResolutionEffective: 35.4 Megapixel (8192 x 4320)
Image Sensor40.96 x 21.6 mm (Vistavision) CMOS
Image StabilizationNo
Internal Recording ModesProRes 4444XQ
2048 x 1080 up to 120 fps
ProRes 4444
2048 x 1080 up to 120 fps
ProRes 422 HQ
4096 x 2160 up to 29.97 fps
2048 x 1080 up to 120 fps
ProRes 422
4096 x 2160 up to 29.97 fps
2048 x 1080 up to 120 fps
ProRes 422LT
4098 x 2160 up to 29.97 fps
2048 x 1080 up to 120 fps
REDCODE RAW
8192 x 4320 up to 59.94 fps
8192 x 3456 up to 75 fps
7168 x 3780 up to 59.94 fps
7168 x 3024 up to 75 fps
6144 x 3240 up to 75 fps
6144 x 2592 up to 100 fps
5120 x 2700 up to 96 fps
5120 x 2160 up to 120 fps
4096 x 2160 up to 120 fps
4096 x 1728 up to 150 fps
3072 x 1620 up to 150 fps
3072 x 1296 up to 200 fps
2048 x 1080 up to 240 fps
2048 x 864 up to 300 fps
External Recording ModesSDI/BNC
1920 x 1080p
Media/Memory Card SlotSingle Slot: RED MINI-MAG
Video I/O2x BNC (3G-SDI) Output
1x BNC (Unspecified SDI) Output
Mobile App CompatibleNo
Battery TypeGold Mount

Imaging

Lens MountARRI PL
Lens CommunicationYes
Sensor ResolutionEffective: 35.4 Megapixel (8192 x 4320)
Image Sensor40.96 x 21.6 mm (Vistavision) CMOS
Image StabilizationNo
Built-In ND FilterNo
Internal Filter HolderYes
Capture TypeStills & Video

Exposure Control

Shutter TypeElectronic Rolling Shutter
Advertised Dynamic Range17 Stops

Video Capture

Internal Recording ModesProRes 4444XQ
2048 x 1080 up to 120 fps
ProRes 4444
2048 x 1080 up to 120 fps
ProRes 422 HQ
4096 x 2160 up to 29.97 fps
2048 x 1080 up to 120 fps
ProRes 422
4096 x 2160 up to 29.97 fps
2048 x 1080 up to 120 fps
ProRes 422LT
4098 x 2160 up to 29.97 fps
2048 x 1080 up to 120 fps
REDCODE RAW
8192 x 4320 up to 59.94 fps
8192 x 3456 up to 75 fps
7168 x 3780 up to 59.94 fps
7168 x 3024 up to 75 fps
6144 x 3240 up to 75 fps
6144 x 2592 up to 100 fps
5120 x 2700 up to 96 fps
5120 x 2160 up to 120 fps
4096 x 2160 up to 120 fps
4096 x 1728 up to 150 fps
3072 x 1620 up to 150 fps
3072 x 1296 up to 200 fps
2048 x 1080 up to 240 fps
2048 x 864 up to 300 fps
External Recording ModesSDI/BNC
1920 x 1080p
Recording Sensor CropCrops to Output Resolution in All Recording Modes
Fast-/Slow-Motion SupportYes
Built-In MicrophoneStereo
Audio Recording2-Channel 24-Bit 48 kHz
IP StreamingYes

Still Image Capture

Aspect Ratio4:3, 16:9

Interface

Media/Memory Card SlotSingle Slot: RED MINI-MAG
Video I/O2x BNC (3G-SDI) Output
1x BNC (Unspecified SDI) Output
Audio I/O1x XLR 5-Pin Mic/Line (+48 V Phantom Power) Input
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O1x LEMO 2-Pin (11.5 to 17VDC at 3 A) Output
1x XLR 4-Pin Input
1x USB-A (5VDC at 1.5 A) Output
1x D-Tap (11.5 to 17VDC at 3 A) Output
1x LEMO 2-Pin (11.5 to 17VDC at 1.5 A) Output
2x Fischer 3-Pin (24VDC at 2.5 A) Output
Other I/O1x LEMO 4-Pin (RS-232) Control Input/Output
1x 9-Pin (Gigabit Ethernet) Input/Output
1x BNC (Genlock) Control Input/Output
1x LEMO 5-Pin (Timecode) Input/Output
Wireless2.4 GHz Wi-Fi (802.11b/g) Control
Mobile App CompatibleNo
Global Positioning (GPS, GLONASS, etc.)No

Viewfinder

TypeOptional, Not Included

Focus

Focus TypeAuto and Manual Focus
Focus ModeAutomatic, Manual Focus

Environmental

Operating Temperature32 to 104°F / 0 to 40°C
Storage Temperature-4 to 122°F / -20 to 50°C
Operating Humidity0 to 85%

General

Battery TypeGold Mount
Shoe MountNo
Tripod Mounting Thread1/4"-20 Female
3/8"-16 Female
Accessory Mounting Thread17x 1/4"-20
Netflix ApprovedYes
Material of ConstructionAluminum
Dimensions (W x H x D)7.77 x 6.3 x 6" / 197.27 x 160.6 x 152.35 mm
Weight7.3 lb / 3.31 kg (Body Only)

In the Box

  • RED DIGITAL CINEMA RED RANGER MONSTRO 8K VV (Battle-Tested, Gold Mount)
  • RED RANGER BRAIN with MONSTRO 8K VV sensor
  • Shimmed PL Mount and PL Mount Shim Pack
  • Production Top Handle
  • LCD/EVF Adapter D
  • 3-Pin XLR to RED RANGER Power Cable (10')
  • Hex Tool
  • Torx Tool
  • 2-Year Manufacturer Warranty
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