RED DIGITAL CINEMA RANGER Overview
Designed for demanding use in the studio and on location, this refurbished, Battle-Tested all-in-one RED RANGER MONSTRO 8K VV from RED DIGITAL CINEMA features a unibody design with integrated inputs and outputs, a shimmed PL mount, 24V power output, a 5-pin XLR audio input, and a larger built-in fan for improved thermal performance. With a unibody aluminum design and an integrated Gold mount battery plate, this 8K capture solution is ideal for rental houses and high-end production use as well as for individual users. The MONSTRO 8K VV full-frame sensor boasts up to 17 stops of dynamic range and can record the full image circle of full-frame 35mm lenses. You can also use Super35 lenses with a windowed capture area for high frame rate recording.
RED's versatile REDCODE RAW codec uses wavelet compression to reduce data rates while maintaining a visually lossless image rendering. This efficient codec can be edited on many available NLE software programs without transcoding, though if you prefer a proxy workflow, ProRes or DNx files can be recorded simultaneously to the MINI-MAG media. Lowering the recording resolution allows the sensor to capture higher frame rates for dramatic slow-motion footage. The DSMC2 cameras use sensor windowing to record slow motion in lower resolutions, requiring wider or smaller-format lenses to compensate for the additional crop. Recording rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher.
Note:
Battle-Tested products may include some minor cosmetic blemishes.
8K MONSTRO VV Sensor
RED's MONSTRO 8K 40.96 x 21.6mm sensor can take advantage of full-frame 35mm lenses, recording at rates up to 60 fps at full resolution. Higher frame rates, up to 300 fps, can be made available by windowing the sensor to lower resolutions. RED measured the MONSTRO sensor as having 17 stops of dynamic range, able to represent both deep shadows and bright highlights in the same frame.
All-in-One Form Factor with Gold Mount Plate
Unibody aluminum design with integrated inputs and outputs, 24V power out, 5-pin audio input, a shimmed PL mount, and a larger, built-in fan for improved thermal performance. The built-in plate enables you to use longer-lasting Gold mount batteries.
REDCODE RAW
The cornerstone of RED's workflow is the robust REDCODE RAW file format. Using wavelet compression with ratios ranging from 2:1 to 22:1, REDCODE RAW offers the versatility of raw files without the overwhelming storage requirements of uncompressed image data. Since REDCODE RAW has been around since the days of the RED ONE cinema camera, many common NLE software programs including Adobe Premiere Pro, Blackmagic Design DaVinci Resolve, Apple Final Cut Pro, and Avid Media Composer can import and edit REDCODE RAW footage without transcoding, saving production time in the edit suite. Capture rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher options.
Note: Not all compression ratios are available at all resolutions and frame rates.
Apple ProRes and Avid DNx Formats
For projects requiring proxy files or quicker turnaround times than raw files permit, Apple ProRes or Avid DNx formats can be recorded at 4K and 2K resolutions directly to the onboard MINI-MAG media. Since these debayered video files can be recorded alongside the raw files, no extra time is required for transcoding the proxies. Bring the debayered files straight into your NLE and begin editing.
Color Management
Supports 33x33x33, 32x32x32, 26x26x26, and 17x17x17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User-programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
PL Lens Mount
The PL lens mount comes with a set of shims for adjusting the camera's flange focal distance to ensure accurate back focus. Flange focal distance can differ minutely according to different lens styles and changes in temperature and humidity the shims enable you to correct for these differences.
RED DIGITAL CINEMA RANGER Specs
Key Specs
Lens Mount | ARRI PL |
Sensor Resolution | Effective: 35.4 Megapixel (8192 x 4320) |
Image Sensor | 40.96 x 21.6 mm (Vistavision) CMOS |
Image Stabilization | No |
Internal Recording Modes | ProRes 4444XQ 2048 x 1080 up to 120 fps ProRes 4444 2048 x 1080 up to 120 fps ProRes 422 HQ 4096 x 2160 up to 29.97 fps 2048 x 1080 up to 120 fps ProRes 422 4096 x 2160 up to 29.97 fps 2048 x 1080 up to 120 fps ProRes 422LT 4098 x 2160 up to 29.97 fps 2048 x 1080 up to 120 fps REDCODE RAW 8192 x 4320 up to 59.94 fps 8192 x 3456 up to 75 fps 7168 x 3780 up to 59.94 fps 7168 x 3024 up to 75 fps 6144 x 3240 up to 75 fps 6144 x 2592 up to 100 fps 5120 x 2700 up to 96 fps 5120 x 2160 up to 120 fps 4096 x 2160 up to 120 fps 4096 x 1728 up to 150 fps 3072 x 1620 up to 150 fps 3072 x 1296 up to 200 fps 2048 x 1080 up to 240 fps 2048 x 864 up to 300 fps |
External Recording Modes | SDI/BNC 1920 x 1080p |
Media/Memory Card Slot | Single Slot: RED MINI-MAG |
Video I/O | 2x BNC (3G-SDI) Output 1x BNC (Unspecified SDI) Output |
Mobile App Compatible | No |
Battery Type | Gold Mount |
Imaging
Lens Mount | ARRI PL |
Lens Communication | Yes |
Sensor Resolution | Effective: 35.4 Megapixel (8192 x 4320) |
Image Sensor | 40.96 x 21.6 mm (Vistavision) CMOS |
Image Stabilization | No |
Built-In ND Filter | No |
Internal Filter Holder | Yes |
Capture Type | Stills & Video |
Exposure Control
Shutter Type | Electronic Rolling Shutter |
Advertised Dynamic Range | 17 Stops |
Video Capture
Internal Recording Modes | ProRes 4444XQ 2048 x 1080 up to 120 fps ProRes 4444 2048 x 1080 up to 120 fps ProRes 422 HQ 4096 x 2160 up to 29.97 fps 2048 x 1080 up to 120 fps ProRes 422 4096 x 2160 up to 29.97 fps 2048 x 1080 up to 120 fps ProRes 422LT 4098 x 2160 up to 29.97 fps 2048 x 1080 up to 120 fps REDCODE RAW 8192 x 4320 up to 59.94 fps 8192 x 3456 up to 75 fps 7168 x 3780 up to 59.94 fps 7168 x 3024 up to 75 fps 6144 x 3240 up to 75 fps 6144 x 2592 up to 100 fps 5120 x 2700 up to 96 fps 5120 x 2160 up to 120 fps 4096 x 2160 up to 120 fps 4096 x 1728 up to 150 fps 3072 x 1620 up to 150 fps 3072 x 1296 up to 200 fps 2048 x 1080 up to 240 fps 2048 x 864 up to 300 fps |
External Recording Modes | SDI/BNC 1920 x 1080p |
Recording Sensor Crop | Crops to Output Resolution in All Recording Modes |
Fast-/Slow-Motion Support | Yes |
Built-In Microphone | Stereo |
Audio Recording | 2-Channel 24-Bit 48 kHz |
IP Streaming | Yes |
Still Image Capture
Aspect Ratio | 4:3, 16:9 |
Interface
Media/Memory Card Slot | Single Slot: RED MINI-MAG |
Video I/O | 2x BNC (3G-SDI) Output 1x BNC (Unspecified SDI) Output |
Audio I/O | 1x XLR 5-Pin Mic/Line (+48 V Phantom Power) Input 1x 1/8" / 3.5 mm TRS Stereo Headphone Output |
Power I/O | 1x LEMO 2-Pin (11.5 to 17VDC at 3 A) Output 1x XLR 4-Pin Input 1x USB-A (5VDC at 1.5 A) Output 1x D-Tap (11.5 to 17VDC at 3 A) Output 1x LEMO 2-Pin (11.5 to 17VDC at 1.5 A) Output 2x Fischer 3-Pin (24VDC at 2.5 A) Output |
Other I/O | 1x LEMO 4-Pin (RS-232) Control Input/Output 1x 9-Pin (Gigabit Ethernet) Input/Output 1x BNC (Genlock) Control Input/Output 1x LEMO 5-Pin (Timecode) Input/Output |
Wireless | 2.4 GHz Wi-Fi (802.11b/g) Control |
Mobile App Compatible | No |
Global Positioning (GPS, GLONASS, etc.) | No |
Viewfinder
Type | Optional, Not Included |
Focus
Focus Type | Auto and Manual Focus |
Focus Mode | Automatic, Manual Focus |
Environmental
Operating Temperature | 32 to 104°F / 0 to 40°C |
Storage Temperature | -4 to 122°F / -20 to 50°C |
Operating Humidity | 0 to 85% |
General
Battery Type | Gold Mount |
Shoe Mount | No |
Tripod Mounting Thread | 1/4"-20 Female 3/8"-16 Female |
Accessory Mounting Thread | 17x 1/4"-20 |
Netflix Approved | Yes |
Material of Construction | Aluminum |
Dimensions (W x H x D) | 7.77 x 6.3 x 6" / 197.27 x 160.6 x 152.35 mm |
Weight | 7.3 lb / 3.31 kg (Body Only) |
In the Box
- RED DIGITAL CINEMA RED RANGER MONSTRO 8K VV (Battle-Tested, Gold Mount)
- RED RANGER BRAIN with MONSTRO 8K VV sensor
- Shimmed PL Mount and PL Mount Shim Pack
- Production Top Handle
- LCD/EVF Adapter D
- 3-Pin XLR to RED RANGER Power Cable (10')
- Hex Tool
- Torx Tool
- 2-Year Manufacturer Warranty
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