SLR Magic APO HyperPrime Cine T2.1 EF-Mount 3-Lens Set (32/50/85mm)

Add this APO HyperPrime Cine T2.1 EF-Mount 3-Lens Set from SLR Magic to your cinema-camera rig for choices between 32, 50, and 85mm cine-style lenses. Each lens features an EF mount or PL-to-EF-mount adapter, a common 85mm front diameter for matte box and follow focus compatibility, 150° focus rotation, and an internal 82mm filter thread.

The lenses feature a 46mm image circle that allows them to be used with full-frame sensors with video resolutions up to 8K. They are compact and lightweight so they can be used on small cine camera setups. Their 0.8 MOD focus and iris gears are compatible with most standard cinema-style follow focus motors and drives. A case is included to store and transport the lens set.

Read more below about the items in this set.

SLR Magic APO HyperPrime CINE 32mm T2.1 Lens (PL Mount with EF-Mount Adapter)

A cine-style lens that covers full-frame sensors, the SLR Magic APO HyperPrime CINE 35mm T2.1 Lens projects a 46.31mm image circle and is suitable for use with select cameras having an 8K sensor. It features cine-style focus and iris gears and an internal focus design that allows you to pull focus without the length of the lens changing. This makes it well-suited for use with rod-mounted lens accessories and matte boxes. The lens features a PL mount with an EF-mount adapter.

The 300° of focus rotation provides precise focus pulls, especially when working at close focus. The lens focuses in the industry-standard direction and has a 95mm front diameter and an 82mm filter thread. The front of the lens does not rotate as you change focus, which may allow for the use of clip-on matte boxes and sunshades (depending on weight) as well as polarizing filters.

Coverage

The lens covers full-frame sensors.

Internal Focus

The internal focus design allows you to pull focus without the length of the lens changing. This is especially important when working with rod-mounted lens accessories such as follow focus units so that the gears remain engaged as focus changes. The consistent lens length also makes using a rod-mounted matte box simpler, as there is no concern for pushing into or pulling out of the matte box, and you don t need a bellows-style antireflection ring.

Industry-Standard Focus and Iris Gears

Built-in iris and focus gears follow industry standards, allowing you to work with optional follow focus units and lens gear motors.

300° of Lens Rotation

300° of focus rotation enables precise focus adjustment, especially as you focus close to the lens.

SLR Magic APO HyperPrime CINE 50mm T2.1 Lens (EF Mount)

A cine-style lens that covers full-frame sensors, the SLR Magic APO HyperPrime CINE 50mm T2.1 Lens projects a 44mm image circle and is suitable for use with select cameras that have a 6K sensor. It features cine-style focus and iris gears and an internal focus design that allows you to pull focus without the length of the lens changing. This makes it well-suited for use with rod-mounted lens accessories and matte boxes. The lens features an EF mount.

The 150° of focus rotation provides for precise focus pulls especially when working at close focus. The lens focuses in the industry-standard direction and has an 85mm front diameter and an 82mm filter thread. The front of the lens does not rotate as you change focus, which may allow for the use of clip-on matte boxes and sunshades (depending on weight) as well as polarizing filters.

Coverage

The lens covers full-frame sensors.

Internal Focus

The internal focus design allows you to pull focus without the length of the lens changing. This is especially important when working with rod-mounted lens accessories such as follow focus units so that the gears remain engaged as focus changes. The consistent lens length also makes using a rod-mounted matte box simpler, as there is no concern for pushing into or pulling out of the matte box, and you don t need a bellows-style antireflection ring.

Industry Standard Focus and Iris Gears

Built-in iris and focus gears follow industry standards, allowing you to work with optional follow focus units and lens gear motors.

150° of Lens Rotation

150° of focus rotation enables precise focus adjustment, especially as you focus close to the lens.

SLR Magic APO HyperPrime CINE 85mm T2.1 Lens (PL Mount with EF-Mount Adapter)

A cine-style lens that covers full-frame sensors, the SLR Magic APO HyperPrime CINE 85mm T2.1 Lens projects a 44mm image circle and is suitable for use with select cameras that have a 6K sensor. It features cine-style focus and iris gears and an internal focus design that allows you to pull focus without the length of the lens changing. This makes it well-suited for use with rod-mounted lens accessories and matte boxes.

The 300° of focus rotation provides for precise focus pulls especially when working at close focus. The lens focuses in the industry standard direction and has a 95mm front diameter. The front of the lens does not rotate as you change focus, which may allow for the use of clip-on matte boxes and sunshades (depending on weight), as well as polarizing filters. The lens incorporates an ARRI PL mount that provides a simple, strong, and highly reliable mount. An EF-mount adapter is included for compatibility with popular cinema cameras, DSLR cameras, and mirrorless cameras.

Coverage

The lens covers full-frame sensors.

Internal Focus

The internal focus design allows you to pull focus without the length of the lens changing. This is especially important when working with rod-mounted lens accessories such as follow focus units so that the gears remain engaged as focus changes. The consistent lens length also makes using a rod-mounted matte box simpler, as there is no concern for pushing into or pulling out of the matte box, and you don t need a bellows-style anti-reflection ring.

Industry Standard Focus and Iris Gears

Built-in iris and focus gears follow industry standards, allowing you to work with optional follow focus units and lens gear motors.

300° of Lens Rotation

300° of focus rotation enables precise focus adjustment, especially as you focus close to the lens.